The Subversive Theatre Collective:

Theater for the 99%
Subversive Theatre: Where pissing you off is only the beginning

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  "I do not know what the theatre will be like in a socialist world: I can understand better what it could be among the Mau Mau." 

-Jean Genet
1957

 

Click below for more info...
-- About the Cast
-- About the Crew
-- About the Playwright
-- About this Play's Production History
-- Get Directions to the Play
-- Production Photos
-- Rehearsal Photos
-- Return to the PALACE OF THE END Mainpage
-- Subversation Sundays 
 
RELATED INFORMATION:
-- About Lynndie England (historical basis for the first monologue)
-- Interview with Playwright Judith Thompson
 
PRESS COVERAGE:
-- Buffalo News Review 9/20/08
-- Nightlife Mag. Review 9/23/08

Production History of

PALACE OF THE END

     PALACE OF THE END is a compilation of three separate monologues -- "My Pyramids" based on the media circus surrounding American Abu Ghraib soldier Lynndie England, "Harrowdown Hill" based on the British weapons inspector and microbiologist Dr. David Kelly, and "Instruments of Yearning" based Iraqi Communist Party activist Nehrjas Al Saffarh.
     "My Pyramids" was the first of the trilogy to be written.  It was originally produced by Volcano Theatre for The Wrecking Ball in 2004 and at the Traverse Theatre during the 2005 Edinburgh Festival.
     The Epic Theatre of New York City then commissioned PALACE OF THE END which culminated in a workshop reading in April 2006.  Teatro Limonaia in Florence, Italy, produced a staged reading of both "My Pyramids" and "Instruments of Yearning" in October of 2006.
     Los Angeles' 49th Parallel Theatre produced the world-debut of PALACE OF THE END in June of 2007 in association with the Open At The Top at The NOHO Arts Center in North Hollywood, California.
     The play then debuted in Toronto at the Canadian Stage Company in February of 2008 at the Company's Berkeley Theatre (pictured right).
     In March of 2008, Judith Thompson was awarded the Susan Smith Blackburn Prize -- a prize given annually to recognize women from around the world who have written works of outstanding quality for the English-speaking theatre -- in a ceremony at Houston's Alley Theatre in recognition of her work on PALACE OF THE END.
     At last the play came full circle to make its New York City debut at The Epic Theatre in June of 2008 where it enjoyed awed and enthusiastic reviews ("Three pitch-perfect performers deliver three scalding monologues" -- New York Times).  The play is slated to be performed next at Calgary's Downstage Theatre early next year.
     Subversive Theatre is proud to make Buffalo the fourth city to debut this incredibly timely and hard-hitting work.

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